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Tambet, the Emir of Zahir
by Harry Lurcher

Just take the mic. Tambet, singer and bass player with Zahir on the road to here and what's next.

published

jan 26 '10
1 comment

Tambet, the Emir of Zahir

Carbon Based Lifeforms
by Jim Sharman

“We're like a shepherd trying to herd his flock, but in our case they're machines not sheep.” Carbon Based Lifeforms talk about making music as a soundtrack for life.

published

nov 20 '09
10 comments

Carbon Based Lifeforms

Lu:k
by Marika Agu

Lu:k are sailing the flagship of Estonian alternative dancemusic. No-one has reached their level yet in this specific genre. This is the interview with an important man in Estonian alternative music - Virko Veskoja.

published

sep 13 '09
5 comments

Lu:k

Wooden Shjips
by Harry Lurcher

This San Francisoco musical quartet are groovier than the Big Lebowski's beach scene, the silver edged storm clouds of Tesla sound they produce makes them this generations Spacemen 3, Hawkwind and Can rolled up in one.

published

sep 2 '09

Wooden Shjips

Magik Markers
by Harry Lurcher

Interview with Pete Nolan, one half of the Magik Markers.

published

aug 2 '09

Magik Markers

Those Dancing Days
by Maria Juur

(For those who do not know yet:) What exactly lies behind the name Those Dancing Days? Who are those five girls and under what circumstances have they joined forces to make some catchy tunes?

published

jun 29 '09
5 comments

Those Dancing Days

Lazer's Brazilian Muses, Part III: Velhinhas
by Martin Lazarev

The ‘Velhinhas’ or old ladies from Brazil peer back at you through the lense of Lazer. Dignified and defiant, incredulous they regard the crazy white man in their midst.

published

oct 19 '09
1 comment

Lazer's Brazilian Muses, Part III: Velhinhas

Lazer's Brazilian Muses, Part II: Moças
by Martin Lazarev

Melt into the pools of the brown eyed girls of Brazil. Lazer's adventures in Brazil continue...

published

oct 19 '09

Lazer's Brazilian Muses, Part II: Moças

Lazer's Brazilian Muses, Part I: Crianças
by Martin Lazarev

Part I of Lazer's Brazilian women, the ‘Crianças’ or children, street and beach kids, with the simple sunkissed smiles of life on the brink, day to day living, kittens without mittens, who knows where they will be tomorrow.

published

oct 19 '09

Lazer's Brazilian Muses, Part I: Crianças

Decayed Youth
by Aleksander Kelpman

Pictures from the lens of one young Estonian photographer, Aleksander Kelpman, in the forests, cities and scrublands of Eesti.

published

aug 14 '09
3 comments

Decayed Youth

Gavin Watson: Raving '89
by Gavin Watson

If you were there, Gavin Watson's photo's will give you goose bumps; if you weren't, they're the closest you'll get.

published

jun 17 '09
2 comments

Gavin Watson: Raving '89

A Big Freeze in the Estonian Film Industry - “The Snow Queen” Interview with the Director Marko Raat
by Harry Lurcher

“The Snow Queen” is the first Estonian feature film release of 2010 and interpretation of Hans Christian Andersen's classic story. Director Marko Raat shares his thoughts on film making in a frozen fairytale climate and his previous works “The Knife” and “Jaan Toomik”.

published

feb 23 '10

A Big Freeze in the Estonian Film Industry - “The Snow Queen” Interview with the Director Marko Raat

Fags, Fascists & Financiers
by Harry Lurcher

Steady as she goes. Catch a week of Fassbinder's movies in Tallinn this February along with the theatre adaptation of his work: Garbage, the City and Death directed by Veiko Õunpuu.

published

feb 16 '10

Fags, Fascists & Financiers

Docpoint Tallinn 2010 - Get Edukated
by Harry Lurcher

A new International Documentary Festival in Tallinn, to chase the cold away, 17 documentaries in 3 days at 2 locations (Artis and Kumu) from January 29th-31st. Chat with Tristan Priimägi on what it is about documentaries that ring his bell.

published

jan 28 '10

Docpoint Tallinn 2010 - Get Edukated

They Call It Acid
by Harry Lurcher

The late 1980's saw the birth of a youth culture — “They Call It Acid” is the definitive document of the Acid House era.

published

dec 2 '09
2 comments

They Call It Acid

Robert Bresson – Patron Saint Of Cinematography
by Veiko Õunpuu

Having given up painting on doctor's orders (it supposedly made him too agitated) Bresson made his first short film at the age of thirty-three

published

nov 26 '09
1 comment

Robert Bresson – Patron Saint Of Cinematography

The Revolution That Wasn't
by Harry Lurcher

Director Aliona Polunina's talks about her award winning film about revolutionaries in modern day Russia and the challenges of making a true documentary in her home country.

published

nov 22 '09
2 comments

The Revolution That Wasn't

The Temptation Of St. Tony

“Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost.”
Dante Alighieri, “Divine Comedy.” Inferno, Song I

published

jun 14 '09
3 comments

The Temptation Of St. Tony

Last Days of the Roman Empire
by Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

From 2003-2007 Nightpeople magazine recorded the glamour and excess of Moscow's ultra-elite. The inheritors of the ‘eastern Roman Empire’ captured at play in a pyramid apex system that governs and behaves in ways familiar to scholars of ancient Rome.

published

dec 31 '09

Last Days of the Roman Empire

Stone Bridge Over The River Emajõe
by Michael Walsh

The story of the magnificent stone bridge, Kivisild, built in Tartu (Estonia) by Catherine the Great then blown up, bit by bit, by the German and Russian armies during WWII, along with 60% of the city...

published

jun 17 '09

Stone Bridge Over The River Emajõe

Going down in Riga
by Harry Lurcher

On a sunny summer Saturday morning in Riga there was a new kind of cop on the beat - Riga's riot police were out in force wearing elbow, shin, knee and chest plates, part man part robo turtle...

published

jun 14 '09

Going down in Riga

If You Go Down to the Woods Today
by Okeiko

Okeiko, the girl with the sun in her hair, creates other worlds inspired by the Estonian landscape and travels down under.

published

jan 14 '10
4 comments

If You Go Down to the Woods Today

A One Night Stand
by Olga Temnikova

Olga Temnikova's exhibition ‘A One night Stand’ uses sexual behavior patterns for metaphors of the Artist and Public communication.

published

jan 14 '10
1 comment

A One Night Stand

Heikki Leis
by Harry Lurcher

‘The people are different figures in Estonian culture - here we have musicians, singers, actors, poets, directors etc.’, Heikki Leis on his recent exhibition of graphite drawings of the heads and hands of Estonians who have moved or inspired him...

published

oct 12 '09
6 comments

Heikki Leis

Jasper Zoova
by Hanno Soans

The sweet popglam of Zoova's drawings might repel some people, or is not acceptable due to the subject matter, the way he draws is free of the clichés characteristic to Estonian graphic art or drawing tradition

published

aug 31 '09

Jasper Zoova

Christian Saldert
by Olga Temnikova

‘Take your time and get yourself in to the best of all art schools. Very simple and boring advice, but also very true.’
The art and advice from painter Mr Christian Saldert of Stockholm

published

jun 14 '09
2 comments

Christian Saldert

A Mighty Fortress Is Our God
by Tristan Priimägi

‘The comic book city is not a place with regulated crossroads and window-shopping, but a maze of shadowy alleyways that are occupied by characters from the edges of imagination.’ - Tristan Priimägi on life in a metropolis for the comic book character

published

sep 14 '09
3 comments

A Mighty Fortress Is Our God

Offgrid: Going Down the Rabbit Hole
by Michael Gallagher

Do you want to take the blue pill and wake up in your bed or the red and see how deep the rabbit hole goes?

published

sep 9 '09

Now reading Offgrid: Going Down the Rabbit Hole

Upriver with Heikki's Lens: Travels along the Mekong
by Heikki Leis

Heikki Leis, photographer, sculptor and artist takes us on his trip along a portion of the Mekong, the worlds 12th longest river, as he travels from Thailand up through Laos.

published

feb 3 '10

Upriver with Heikki's Lens: Travels along the Mekong

Kola Powder Part I
by Andrei ‘Jack’ Jakovlev & Oskar Voit

Mining for Powder — Travels to the Top of the World Part I

published

nov 7 '09
1 comment

Kola Powder Part I

From The Freezer To The Cooker: Lazer's Adventures In Brazil
by Harry Lurcher

Evocative interview with Estonian photographer and designer Martin ‘Lazer’ Lazarev enjoying being exotic on and around the beaches of Brazil

published

oct 14 '09
2 comments

From The Freezer To The Cooker: Lazer's Adventures In Brazil

Timberjack's #2: Coffee Table
by Jack

published

feb 12 '10

Timberjack's #2: Coffee Table

Cuprocking
by Marika Agu

published

sep 9 '09
4 comments

Cuprocking

Timberjack's #1: Shelving Unit
by Jack

Timberjack teaches us how to make a simple shelving unit in his first tutorial for divedivedive.

published

aug 13 '09
1 comment

Timberjack's #1: Shelving Unit

Tartu-flette
by Maiken Urmet

published

feb 5 '10
1 comment

Tartu-flette

Slowing Down and Doing More than Just Sniffing the Roses
by Michael Gallagher

“It is said that without the culinary arts, the crudeness of reality would be unbearable.”

published

dec 23 '09

Slowing Down and Doing More than Just Sniffing the Roses

nAnO - Underground Upmarket Eaterie
by Harry Lurcher

A small, beautifully formed space to get inspired about food, good company and explore the more essential things in life.

published

dec 17 '09
2 comments

nAnO - Underground Upmarket Eaterie

Warm Potato Salad With Hot Smoked Salmon
by Maiken Urmet

published

nov 4 '09
3 comments

Warm Potato Salad With Hot Smoked Salmon

West End Lane Books Recommendations Part I
by West End Lane Books

Sometimes you visit a place and just know, ‘I will be back‘. West End Lane Books an independent book shop in West Hampstead, London is one of those places. Take a peek at some of their book reviews they kindly shared with us.

published

nov 23 '09

West End Lane Books Recommendations Part I

Struve and the Tartu Meridian
by Michael Walsh

F.G.Wilhelm von Struve, astronomer and initiator of the Struve Geodetic Arc, now a UNESCO World Heritage Site.

published

dec 22 '09
1 comment

Struve and the Tartu Meridian

The Mighty Ural
by Michael Walsh

The secret “Molotov-Ribbentrop Pact” German Russian Non-Aggression Treaty in 1939, facilitated technology transfer and the USSR was licensed to copy the BMW R 71

published

aug 14 '09
1 comment

The Mighty Ural

Underground Music Scene Flyers: Estonia, Part I
by Martin ‘Qba’ Kaares

Few flyers handpicked by Qba, a grand old man of Estonia's drum and bass community.

published

dec 27 '09
1 comment

Underground Music Scene Flyers: Estonia, Part I

Italian Law & Order
by Harry Lurcher

On the streets of Verona, Rome and Milan with the cops and priests in their finest livery.

published

aug 25 '09

Italian Law & Order

Heikki Leis

I'm freelance artist. I have been doing mainly hyper-realistic pen- and pencil drawings and i have been active in phtotgraphy and sculpture.

since

feb 3 '10
1 contribution

Heikki Leis

Okeiko

a photographer and artist based in Tallinn Estonia. Drawing her inspiration from nature her photographs are heart warming and charming, sneaking into your subconscious to play mischievously.

since

jan 14 '10
1 contribution

Okeiko

Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

Vadim Wilniewczyc - a photographer and graphic artist. One of a kind, not to be repeated. Andrei Jakovlev, (Jack) - a freelancing Art Director. Just an old school snowboarder.

since

dec 31 '09
1 contribution

Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

Martin ‘Qba’ Kaares

Being an artist and a DJ at the same time, his name is known by especially those Estonians who have chosen to reside on the alternative side of both local communities.

since

dec 27 '09
1 contribution

Martin ‘Qba’ Kaares

Veiko Õunpuu

a writer, artist and film director, sometime lecturer, ex-carpet salesman (never made a sale)

since

nov 26 '09
1 contribution

Veiko Õunpuu

West End Lane Books

established 1994, is an independent bookshop in the heart of West Hampstead

since

nov 23 '09
1 contribution

West End Lane Books

Jim Sharman

His career and personal life centre around a desire to improve and develop communication between people...

since

nov 20 '09
1 contribution

Jim Sharman

Andrei ‘Jack’ Jakovlev & Oskar Voit

Andrei Jakovlev, (Jack) - a freelancing Art Director and Oscar Voit - a professional hairstylist since 1996.

since

nov 7 '09
1 contribution

Andrei ‘Jack’ Jakovlev & Oskar Voit

Maiken Urmet

A native of Tartu, Estonia, wants to expand the Estonian diet with foreign dishes. She has by now published her first cookbook „Teistmoodi kokaraamat” (A Different Kind of Cookbook) and is currently working on another.

since

nov 4 '09
2 contributions

Maiken Urmet

Martin Lazarev

since

oct 19 '09
3 contributions

Martin Lazarev

Tristan Priimägi

since

sep 14 '09
1 contribution

Tristan Priimägi

Michael Gallagher

an Estonian/American lawyer who came to Tartu in 1994 and has been living and working in Tartu since then.

since

sep 9 '09
2 contributions

Michael Gallagher

Marika Agu

on the way she'd pick up anything, from poker skills to photography

since

sep 9 '09
2 contributions

Marika Agu

Hanno Soans

Hanno Soans, born in 1974 is a freelance art critic based in Tallinn, Estonia.

since

aug 31 '09
1 contribution

Hanno Soans

Aleksander Kelpman

My name is Sander. I'm a suburb kid from Tallinn - Estonia, I'm 18 years old and find pleasure in arts.

since

aug 14 '09
1 contribution

Aleksander Kelpman

Jack

Hi I'm Jack. I like to make things, tables chairs, book cases. I'm going to be showing you how to make things too.

since

aug 13 '09
2 contributions

Jack

Maria Juur

is a writer based in Tallinn, Estonia. Her background is in art history but prefers Mutant Discos to museums and sees herself in the space between art and music culture.

since

jun 29 '09
1 contribution

Maria Juur

Gavin Watson

Today he works in fashion, photo realism and portrait photography and his work is on show at galleries all over the globe.

since

jun 17 '09
1 contribution

Gavin Watson

Michael Walsh

a graphic designer from Ireland, living in Tartu, Estonia since 1992. An underlying element in his work is a search for a reinterpretation of design classics in a contemporary way which respects aesthetic heritage and craft.

since

jun 17 '09
3 contributions

Michael Walsh

Olga Temnikova

a graduate of the Estonian Academy of Arts. Now working as a freelance graphic painter/designer/illustrator and gallerist in Tallinn.

since

jun 14 '09
2 contributions

Olga Temnikova

Harry Lurcher

Heard once that life is too serious to be taken seriously. Poet, promoter, director of creativity, frustrated artist and aspiring human being.

since

jun 14 '09
13 contributions

Harry Lurcher

It is long forgotten now, but when the automobile was first invented, most thought that its main benefit would be to rid cities of horse dung, and perhaps (if people were lucky) horses altogether. To put it mildly, horses were hard to maintain, messy and stinky. Automobiles, by comparison seemed a lot easier and cleaner. The automobile succeeded brilliantly in ridding cities of horse dung and horses, but that seems like a side show compared to its main accomplishment. The automobile made it possible to develop a transport network that brings the entire globe within our range. In approximately one century, for better or worse, we have laid out a huge grid of paved roads over a significant portion of the planet. Now one can only rarely hear “You can't get there from here”. To the contrary, most of us need to hire a tour company to find places where there are no roads, no cars, and no petrol stations. And it is hard to believe that none of this existed one hundred years ago.

To get a sense of how big the change has been, consider the story of Johnny Ringo. Ringo appears in lots of movies and songs about the Wild West as a legendary gunslinger. In at least two films, he gets killed by Doc Holiday in a gunfight. The real story of his death may be stranger. A few months after the shootout at the OK Coral, a depressed and drunken Ringo got on his horse and rode out of Tombstone. Here is what might have happened next:

Ringo was preparing to camp in an isolated spot, far from the city. He tied his boots to his saddle, a common practice in Arizona to keep scorpions out of them, but the horse got loose from his picket and ran off. Ringo tied pieces of his undershirt to his feet to protect them … and crawled into the fork of a large tree to spend the night. As evening came on, despondent over his overall state, Ringo shot himself.

Most stories suggest that Ringo was not a very nice guy. So, we might not feel all that sorry for him. But imagine his situation. No roads. No cars. No phones. No GPS. Without his horse and boots, Ringo was in deep trouble. His death also carries a cautionary tale. For all of Ringo's legendary toughness in town, just a day's ride out of town, he was as vulnerable as a babe in the woods. If one takes us out of our grid, are we even more vulnerable?

To get a better sense of this, imagine that one evening you are watching football on TV. Suddenly all of the electric in your city shuts down. What would you do? The once burning question of who would win the game might become a bit less important than finding the toilet without knocking over tables and chairs. Do you know where your candles and matches are? Do you have any?

This type of blackout actually happened in New York more than once. The first time was back in the 1965. The whole region blacked out for a day. For years afterwards, one heard the question “Where were you during the blackout?” There was even a movie made about it starring Doris Day. It happened again in 1977. Did you know?

Looting of electronics stores during the blackout allowed a number of kids to obtain DJ equipment. As a result, the Hip Hop genre, barely known outside of The Bronx, grew at an astounding rate from 1977 onwards.

So when we think of grids, we are not just talking about replacing horses with automobiles, getting paved roads and more conveniences. The 20th century has been the great century of building all of the grids that we now rely on and generally take for granted. There are the telecommunications grids. The power grids. The heating grids. And commercial grids (like franchising). And financial grids (with automated teller machines making it possible to get cash almost anywhere). And let's not forget the mother of all grids, the internet, which multiplies the potency of all the other grids (like Tolkein's one great ring that bound all of the others to it). Virtually overnight, we have become inter-connected via grids to a degree that no other culture has ever been before, and it appears that “grids” are getting more and more pervasive.

By the way, we might wonder how did we get here so quickly? There was a common path. Grids generally evolved from luxuries to necessities. Not so long ago, for example, indoor plumbing was a rarity. If you wanted light, you lit a kerosene lamp. If you wanted heat, you lit a fire. Even more bizarre to us, if you wanted milk, you might put a cow in your attic. In most places now, however, developers are required to build out all of the grids first (roads, plumbing, electricity, etc.), and then sell living units to people before we can start forming a new “community”. And as grid technology develops, our homes have to be retro-fitted in order to keep up. Indeed, legal protections for the operation of grids now can even trump core fundamental rights like freedom of expression. Interesting. We have moved from luxury use to required use of grids.

On the plus side, there is no doubt that our reliance on grids makes our lives more secure and convenient. If you don't believe me, stop paying your heating bill. But at the same time, we might also ask whether we are losing something. Couch potatoes around the world might shrug their shoulders, but are we in danger of losing our capacity to be free? That is a scary question. Let's flip all the cards and pose the question directly. Would you welcome or shun an invitation to live off the grid?

The invitation sounds dangerous. A bit like the invitation that Morpheus gave to Neo in the The Matrix. In a dramatic moment, Morpheus says “This is your last chance .... Take the red pill and ... (you will be off the grid)”. Indeed in the movie, the red pill was dangerous. Taking the red pill meant Neo got flushed down a massive toilet. But is that an apt analogy for living off grid in reality? I wonder.

Ever since grids were being constructed, people have been talking about living off grid. In the seventies, going off grid was something that both aging hippies and survivalists dreamed about. Remember the hippies ... who in their dreams played the flute in the nude, and kissed their goats, while sleeping in a water bed heated by a solar power grid in the backyard paid for by their bewildered parents? Of course, the survivalists had a different sort of dream. They dreamed about how they and they alone would be prepared to fight to the death to protect what they needed to survive after civilization melted down. The two groups were opposites, optimists and pessimists. But they shared the dream that independence from the grid was a good thing. Why?

But going off grid was not that easy, nor was it socially acceptable. The British comedy “The Good Life” made fun of the hardships. Other views were not so light-hearted. Here is a link to a tongue in cheek video that gives a more somber picture. Anyway, it meant giving up comforts, and living an alternative life style. The ultimate message was clear. Going off grid meant that you became an outsider. Like the “runners” from the 1978 Science Fiction film Logan's Run. From society's point of view, it was indeed somewhat like getting flushed. I can hear you saying already (using the Matrix analogy) “The blue pill, please. I want to stay on the grid!”

Keep taking the blue pill, or you can consider looking at going “off grid” another way. How about answering this question, “Are you happy?” For most people, this is not such an easy question to answer. Most of us (except my cat) are happy sometimes, but not always. Let's rephrase the question: Can you say that you are satisfied with the life that you choose to lead? Dot.earth, a blog written by Andrew Revkin and hosted by the New York Times, asks the same question in a more generalized way:

“How do you measure progress and gauge your well-being?”

Revkin writes further:

“In 1972, concerned about the problems afflicting other developing countries that focused only on economic growth, Bhutan's newly crowned leader, King Jigme Singye Wangchuck, decided to make his nation's priority not its G.D.P. but its G.N.H., or gross national happiness.”

By the way, G.D.P. (or gross domestic product) is the most commonly used measure of a societies well being. It aggregates the value of all of the goods and services that society produces each year. Using it as a measure of well being implies that our well being and happiness are linked to how much we produce. I don't know about you, but this is clearly wrong for me. In fact, while I am no Oblomov, I rather enjoy going home from work early, and if I can get away with it, producing less. But here's the rub. My individual happiness in being idle might make society less well off. So, I have to persevere, and take whatever happiness I can find within the system, staying on the grid. But is this what you would call a well balanced system? Not necessarily.

King Wangchuck of Bhutan has pursued the idea that society should try to better balance individual happiness and societal well being. Society should try to help you be happy, and you should try to make your community happy. Production is only one part of this. In this context, the question that I posed before, “Are you happy?” becomes more important, relevant and interesting.

According to Revkin, enlightenment era philosophers thought that our happiness depends on how we connect to the public good. The stronger the link between what we do and what we think is right, the more happy we tend to be. In the book, “Flow”, psychologist Mihaly Csikszentmihalyi argues that happiness comes to us when we are “immersed” in activities. For the sake of argument, let's assume that the enlightenment philosophers and Csikszenthmihalvi are both right. Then you may be most happy when you are immersed in activities that strengthen community. It is an interesting thought. And it suggests that the King of Bhutan may be onto something.

Unfortunately, this is also a bit like taking the red pill offered by Morpheus. Because this is definitely not the way modern culture depicts happiness.

The great English character Jeffrey Bernard said it in a funny way:

“When I was a boy, I naively thought that this thing called happiness would be something I would wake up to find every day once I could smoke, drink and fornicate.”

Putting it mildly, Jeffrey Bernard was an extremist. But isn't it true that modern culture promotes the idea that we find happiness by getting hold of (possessing or consuming) more of the good things in life? More money? More leisure? More beer? Damn … then more exercise? The mantra is “more is good” and conversely “less is bad”. So, there is a strange sort of logic to the on the grid life style. If we produce more, we get paid more. And if we make more money, we can buy more of what we want. So in the end, we are happier. Right?

Sorry. Not according to those enlightenment philosophers, or Csikszenthmihalvi. They would argue that this is a recipe for a rather hollow life because it does not connect us to the public good, or immerse us in what we do. Instead, it generates weird incentives to “game the system” (like Madoff, et al) rather than to connect with community (like the ultimate off gridder, Gandhi). I begin to see a serious disconnect between the messages we get from modern culture, and what make us all happy. Perhaps I should re-think my attachment to that great film, the Thomas Crown Affair and watch Gandhi again. But … am I ready to take Morpheus's red pill? Are you?

Even if we still hesitate, we may be able to see another view of what going off grid is all about. It is not necessarily about learning to love compost toilets, or waiting for the wind to pick up so that you can run your smoothie maker. And it should not be about getting flushed as a societal outsider. It may be about learning how to get rid of excess baggage and search for life styles that make us all a lot happier. What's so bad about that? Perhaps the fight should be about making off grid living more mainstream. Is that happening?

Here is an example of the attitude I am talking about. Check out this short video about Keith Thompson who went way, way off grid a long time ago. Notice how he talks about his happiness. Notice also how Keith is immersed in how the things inside his house actually work. Notice also how this knowledge supports the way he wants to live. He believes he is free, he also is a regular guy.

Here is another and much wilder view of finding happiness off the grid. It is from an old book called The Good Life written back in the 1930's by Scott and Helen Nearing. Before, I say anything more about the Nearings, they were communists of the old school. In case this conjures up images in your mind of the NKVD, this was before the Second World War. Before McCarthy. Before it was understood in the west what Stalin was really doing.

Back in the 1930's Scott and Helen Nearing left New York and moved to Vermont to find the good life. They went off grid because there was no grid where they were going. In their book they describe how they found the good life by re-learning how people thrived before modern conveniences made these tasks unnecessary. Like making maple syrup. Like building stone walls. Like taking time out during the day to rest and write poetry and make music and dance. Like collecting and sharpening their tools every day. Lots of simple things. They were immersed in these things, and they were excited about how working together this way allowed them create and build a community. How it strengthened the connection between individual and group. The philosophers of the enlightenment and Csikszenthmihalvi would say they were onto something.

Go a bit further back in time, this was exactly the way William Morris was thinking. Morris was a Victorian rebel who didn't like how the industrial society of his day was changing the way people worked. He asked the question, “What type of society made it possible for people to build the great cathedrals of Europe?” His answer ,“It must have been a society that valued and rewarded high levels of craftsmanship”. And so he created an earlier version of off grid living, the crafts movement in England in the 19th Century. Once again, the philosophers of the enlightenment and Csikszenthmihalvi would say that Morris was onto something when it comes to creating happiness.

So, let's sum up. Thinking about it, we should thank the Lord that the 20th century gave us grids. We definitely do not want to end up like Johnny Ringo out in the wild without a horse and boots. And we do not want our cities full of horse shit again or to go back to lifting cows into attics for milk. Grids and connectivity in general give us a lot of great things. The ultimate grid, the internet, will give us much more. But, and here is where the argument starts, we may want to admit that relying on the grid does not necessarily deliver the good life. Instead, we can get hooked on the convenience and lose touch with things that are essential for building happiness. Those things include connecting to community, and getting immersed in challenging learning. So perhaps there is a grid mentality that poses a growing risk to everyone. Perhaps that grid mentality blocks our opportunities to learn how to live better. And here we should be mindful of Malcolm Gladwell's great point in his book Outliers. Learning how to get really good at something (like Mozart at creating music) takes a lot of repetition over time. So barriers that hold us back from trying things out and building a learning curve through repetition are serious barriers.

The best way I can think of to fight this grid mentality is to make off grid experiences a regular part of our vocabulary and our lives. This means looking for and celebrating ways to go off grid in order to learn. To keep an eye out for opportunities to connect with people and things that are off the grid. Simple things. Fun things. Anything from growing vegetables to building boats, to volunteering, to installing solar panels. I am reminded of that great program that started up when I was a youngster. It was called Outward Bound. Outward Bound took small groups of city slickers on several week vacations out into the wild. It was fun, and one learned a hell of a lot about how to survive in a group, and alone in the wild. Well, we may not need to go way out into the wild to learn to be off grid. Why not do outward bound at home and all the time? Hey! That sounds like fun!

Want to go further down the rabbit hole? By the way, I think you may have already swallowed the red pill.

Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole Offgrid: Going Down The Rabbit Hole

Michael Gallagher

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sep 9 '09
2 contributions

Michael Gallagher

Michael Gallagher is an Estonian/American lawyer who came to Tartu in 1994 and has been living and working in Tartu since then. From 1994 to 2007 he was primarily involved in developing professional legal education systems with the Estonian Law Centre, and interdisciplinary education within Tartu University. Since then he has been teaching, consulting, and developing projects in law and business.

To dive deeper:

If you want to keep up with him, visit his blog at laf.ee/wp/

published • September 9th '09

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