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Contributors

Kapitan Korsakov Dripping in Punk
by Aimar Ventsel

Ghents Kapitan Korsakov take your musical sense buds prisoner, bends 'em, makes 'em jump, lights them on fire with sonic energy in a thunderous, addictive sweat storm of sound and movement.

published

jul 12 '10

Kapitan Korsakov Dripping in Punk

Tallinn Music Week Rides the Baltic Wave
by Harry Lurcher

Agitpop electro rock indi-noise and experimental metal - there is a swell of formidable music forecast from this tiny Baltic nation of Estonia...

published

mar 25 '10
2 comments

Tallinn Music Week Rides the Baltic Wave

Entering the Malcolm Lincoln Centre
by Maria Juur

Something is rising Son. Estonia,The Singing Nation's musical kindergarten may just be coming of age as Malcolm Lincoln pop out of the underground and into the mainstream. Alt-Electro diva Maria Juur meets the Malcolms to discuss Eurovison, Eplik, getting laid and preparing for fame. Welcome to the Malcolm Lincoln Centre.

published

mar 12 '10
2 comments

Entering the Malcolm Lincoln Centre

Tambet, the Emir of Zahir
by Harry Lurcher

Just take the mic. Tambet, singer and bass player with Zahir on the road to here and what's next.

published

jan 26 '10
1 comment

Tambet, the Emir of Zahir

Carbon Based Lifeforms
by Jim Sharman

“We're like a shepherd trying to herd his flock, but in our case they're machines not sheep.” Carbon Based Lifeforms talk about making music as a soundtrack for life.

published

nov 20 '09
10 comments

Carbon Based Lifeforms

Lu:k
by Marika Agu

Lu:k are sailing the flagship of Estonian alternative dancemusic. No-one has reached their level yet in this specific genre. This is the interview with an important man in Estonian alternative music - Virko Veskoja.

published

sep 13 '09
5 comments

Lu:k

Wooden Shjips
by Harry Lurcher

This San Francisoco musical quartet are groovier than the Big Lebowski's beach scene, the silver edged storm clouds of Tesla sound they produce makes them this generations Spacemen 3, Hawkwind and Can rolled up in one.

published

sep 2 '09

Wooden Shjips

Magik Markers
by Harry Lurcher

Interview with Pete Nolan, one half of the Magik Markers.

published

aug 2 '09
1 comment

Magik Markers

Those Dancing Days
by Maria Juur

(For those who do not know yet:) What exactly lies behind the name Those Dancing Days? Who are those five girls and under what circumstances have they joined forces to make some catchy tunes?

published

jun 29 '09
6 comments

Those Dancing Days

Lazer's Brazilian Muses, Part III: Velhinhas
by Martin Lazarev

The ‘Velhinhas’ or old ladies from Brazil peer back at you through the lense of Lazer. Dignified and defiant, incredulous they regard the crazy white man in their midst.

published

oct 19 '09
1 comment

Lazer's Brazilian Muses, Part III: Velhinhas

Lazer's Brazilian Muses, Part II: Moças
by Martin Lazarev

Melt into the pools of the brown eyed girls of Brazil. Lazer's adventures in Brazil continue...

published

oct 19 '09

Lazer's Brazilian Muses, Part II: Moças

Lazer's Brazilian Muses, Part I: Crianças
by Martin Lazarev

Part I of Lazer's Brazilian women, the ‘Crianças’ or children, street and beach kids, with the simple sunkissed smiles of life on the brink, day to day living, kittens without mittens, who knows where they will be tomorrow.

published

oct 19 '09

Lazer's Brazilian Muses, Part I: Crianças

Decayed Youth
by Aleksander Kelpman

Pictures from the lens of one young Estonian photographer, Aleksander Kelpman, in the forests, cities and scrublands of Eesti.

published

aug 14 '09
3 comments

Decayed Youth

Gavin Watson: Raving '89
by Gavin Watson

If you were there, Gavin Watson's photo's will give you goose bumps; if you weren't, they're the closest you'll get.

published

jun 17 '09
2 comments

Gavin Watson: Raving '89

A Big Freeze in the Estonian Film Industry - “The Snow Queen” Interview with the Director Marko Raat
by Harry Lurcher

“The Snow Queen” is the first Estonian feature film release of 2010 and interpretation of Hans Christian Andersen's classic story. Director Marko Raat shares his thoughts on film making in a frozen fairytale climate and his previous works “The Knife” and “Jaan Toomik”.

published

feb 23 '10

A Big Freeze in the Estonian Film Industry - “The Snow Queen” Interview with the Director Marko Raat

Fags, Fascists & Financiers
by Harry Lurcher

Steady as she goes. Catch a week of Fassbinder's movies in Tallinn this February along with the theatre adaptation of his work: Garbage, the City and Death directed by Veiko Õunpuu.

published

feb 16 '10

Fags, Fascists & Financiers

Docpoint Tallinn 2010 - Get Edukated
by Harry Lurcher

A new International Documentary Festival in Tallinn, to chase the cold away, 17 documentaries in 3 days at 2 locations (Artis and Kumu) from January 29th-31st. Chat with Tristan Priimägi on what it is about documentaries that ring his bell.

published

jan 28 '10

Docpoint Tallinn 2010 - Get Edukated

They Call It Acid
by Harry Lurcher

The late 1980's saw the birth of a youth culture — “They Call It Acid” is the definitive document of the Acid House era.

published

dec 2 '09
2 comments

They Call It Acid

Robert Bresson – Patron Saint Of Cinematography
by Veiko Õunpuu

Having given up painting on doctor's orders (it supposedly made him too agitated) Bresson made his first short film at the age of thirty-three

published

nov 26 '09
1 comment

Robert Bresson – Patron Saint Of Cinematography

The Revolution That Wasn't
by Harry Lurcher

Director Aliona Polunina's talks about her award winning film about revolutionaries in modern day Russia and the challenges of making a true documentary in her home country.

published

nov 22 '09
2 comments

The Revolution That Wasn't

The Temptation Of St. Tony

“Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost.”
Dante Alighieri, “Divine Comedy.” Inferno, Song I

published

jun 14 '09
3 comments

The Temptation Of St. Tony

Last Days of the Roman Empire
by Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

From 2003-2007 Nightpeople magazine recorded the glamour and excess of Moscow's ultra-elite. The inheritors of the ‘eastern Roman Empire’ captured at play in a pyramid apex system that governs and behaves in ways familiar to scholars of ancient Rome.

published

dec 31 '09
1 comment

Last Days of the Roman Empire

Stone Bridge Over The River Emajõe
by Michael Walsh

The story of the magnificent stone bridge, Kivisild, built in Tartu (Estonia) by Catherine the Great then blown up, bit by bit, by the German and Russian armies during WWII, along with 60% of the city...

published

jun 17 '09

Stone Bridge Over The River Emajõe

Going down in Riga
by Harry Lurcher

On a sunny summer Saturday morning in Riga there was a new kind of cop on the beat - Riga's riot police were out in force wearing elbow, shin, knee and chest plates, part man part robo turtle...

published

jun 14 '09

Going down in Riga

If You Go Down to the Woods Today
by Okeiko

Okeiko, the girl with the sun in her hair, creates other worlds inspired by the Estonian landscape and travels down under.

published

jan 14 '10
4 comments

If You Go Down to the Woods Today

A One Night Stand
by Olga Temnikova

Olga Temnikova's exhibition ‘A One night Stand’ uses sexual behavior patterns for metaphors of the Artist and Public communication.

published

jan 14 '10
1 comment

A One Night Stand

Heikki Leis
by Harry Lurcher

‘The people are different figures in Estonian culture - here we have musicians, singers, actors, poets, directors etc.’, Heikki Leis on his recent exhibition of graphite drawings of the heads and hands of Estonians who have moved or inspired him...

published

oct 12 '09
6 comments

Heikki Leis

Jasper Zoova
by Hanno Soans

The sweet popglam of Zoova's drawings might repel some people, or is not acceptable due to the subject matter, the way he draws is free of the clichés characteristic to Estonian graphic art or drawing tradition

published

aug 31 '09

Jasper Zoova

Christian Saldert
by Olga Temnikova

‘Take your time and get yourself in to the best of all art schools. Very simple and boring advice, but also very true.’
The art and advice from painter Mr Christian Saldert of Stockholm

published

jun 14 '09
2 comments

Christian Saldert

A Mighty Fortress Is Our God
by Tristan Priimägi

‘The comic book city is not a place with regulated crossroads and window-shopping, but a maze of shadowy alleyways that are occupied by characters from the edges of imagination.’ - Tristan Priimägi on life in a metropolis for the comic book character

published

sep 14 '09
3 comments

A Mighty Fortress Is Our God

Offgrid: Going Down the Rabbit Hole
by Michael Gallagher

Do you want to take the blue pill and wake up in your bed or the red and see how deep the rabbit hole goes?

published

sep 9 '09

Offgrid: Going Down the Rabbit Hole

The Puke, the Wolf and the Cosmic Soup - A Carry on Up the Amazon Part 1
by Alan Findlay

Alan Findlay's account of his time in the Peruvian jungle on a quest to discover more about himself and the world around us through the Ayahuasca tea ceremony. Not for the faint hearted.

published

mar 24 '10
1 comment

The Puke, the Wolf and the Cosmic Soup - A Carry on Up the Amazon Part 1

Upriver with Heikki's Lens: Travels along the Mekong
by Heikki Leis

Heikki Leis, photographer, sculptor and artist takes us on his trip along a portion of the Mekong, the worlds 12th longest river, as he travels from Thailand up through Laos.

published

feb 3 '10

Upriver with Heikki's Lens: Travels along the Mekong

Kola Powder Part I
by Andrei ‘Jack’ Jakovlev & Oskar Voit

Mining for Powder — Travels to the Top of the World Part I

published

nov 7 '09
1 comment

Kola Powder Part I

From The Freezer To The Cooker: Lazer's Adventures In Brazil
by Harry Lurcher

Evocative interview with Estonian photographer and designer Martin ‘Lazer’ Lazarev enjoying being exotic on and around the beaches of Brazil

published

oct 14 '09
2 comments

From The Freezer To The Cooker: Lazer's Adventures In Brazil

Timberjack's #2: Coffee Table
by Jack

published

feb 12 '10

Timberjack's #2: Coffee Table

Cuprocking
by Marika Agu

published

sep 9 '09
4 comments

Cuprocking

Timberjack's #1: Shelving Unit
by Jack

Timberjack teaches us how to make a simple shelving unit in his first tutorial for divedivedive.

published

aug 13 '09
1 comment

Timberjack's #1: Shelving Unit

Rogan Josh Now? No problem!
by Michael Gallagher

Here is what happened when a lawyer, a graphic designer and chef got together with a little packet from Leicester.

published

mar 18 '10

Rogan Josh Now? No problem!

Tartu-flette
by Maiken Urmet

published

feb 5 '10
1 comment

Tartu-flette

Slowing Down and Doing More than Just Sniffing the Roses
by Michael Gallagher

“It is said that without the culinary arts, the crudeness of reality would be unbearable.”

published

dec 23 '09

Now reading Slowing Down and Doing More than Just Sniffing the Roses

nAnO - Underground Upmarket Eaterie
by Harry Lurcher

A small, beautifully formed space to get inspired about food, good company and explore the more essential things in life.

published

dec 17 '09
2 comments

nAnO - Underground Upmarket Eaterie

Warm Potato Salad With Hot Smoked Salmon
by Maiken Urmet

published

nov 4 '09
3 comments

Warm Potato Salad With Hot Smoked Salmon

West End Lane Books Recommendations Part I
by West End Lane Books

Sometimes you visit a place and just know, ‘I will be back‘. West End Lane Books an independent book shop in West Hampstead, London is one of those places. Take a peek at some of their book reviews they kindly shared with us.

published

nov 23 '09

West End Lane Books Recommendations Part I

Struve and the Tartu Meridian
by Michael Walsh

F.G.Wilhelm von Struve, astronomer and initiator of the Struve Geodetic Arc, now a UNESCO World Heritage Site.

published

dec 22 '09
1 comment

Struve and the Tartu Meridian

The Mighty Ural
by Michael Walsh

The secret “Molotov-Ribbentrop Pact” German Russian Non-Aggression Treaty in 1939, facilitated technology transfer and the USSR was licensed to copy the BMW R 71

published

aug 14 '09
3 comments

The Mighty Ural

Underground Music Scene Flyers: Estonia, Part I
by Martin ‘Qba’ Kaares

Few flyers handpicked by Qba, a grand old man of Estonia's drum and bass community.

published

dec 27 '09
1 comment

Underground Music Scene Flyers: Estonia, Part I

Italian Law & Order
by Harry Lurcher

On the streets of Verona, Rome and Milan with the cops and priests in their finest livery.

published

aug 25 '09

Italian Law & Order

Aimar Ventsel

Aimar Ventsel is a anthropologist inclined to music and youth movements across subcultures

since

jul 12 '10
1 contribution

Aimar Ventsel

Alan Findlay

An ex stockbroker, gambler and businessman. Now the boredom often takes him to dark corners of the world.

since

mar 24 '10
1 contribution

Alan Findlay

Heikki Leis

I'm freelance artist. I have been doing mainly hyper-realistic pen- and pencil drawings and i have been active in phtotgraphy and sculpture.

since

feb 3 '10
1 contribution

Heikki Leis

Okeiko

a photographer and artist based in Tallinn Estonia. Drawing her inspiration from nature her photographs are heart warming and charming, sneaking into your subconscious to play mischievously.

since

jan 14 '10
1 contribution

Okeiko

Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

Vadim Wilniewczyc - a photographer and graphic artist. One of a kind, not to be repeated. Andrei Jakovlev, (Jack) - a freelancing Art Director. Just an old school snowboarder.

since

dec 31 '09
1 contribution

Vadim Wilniewczyc & Andrei ‘Jack’ Jakovlev

Martin ‘Qba’ Kaares

Being an artist and a DJ at the same time, his name is known by especially those Estonians who have chosen to reside on the alternative side of both local communities.

since

dec 27 '09
1 contribution

Martin ‘Qba’ Kaares

Veiko Õunpuu

a writer, artist and film director, sometime lecturer, ex-carpet salesman (never made a sale)

since

nov 26 '09
1 contribution

Veiko Õunpuu

West End Lane Books

established 1994, is an independent bookshop in the heart of West Hampstead

since

nov 23 '09
1 contribution

West End Lane Books

Jim Sharman

His career and personal life centre around a desire to improve and develop communication between people...

since

nov 20 '09
1 contribution

Jim Sharman

Andrei ‘Jack’ Jakovlev & Oskar Voit

Andrei Jakovlev, (Jack) - a freelancing Art Director and Oscar Voit - a professional hairstylist since 1996.

since

nov 7 '09
1 contribution

Andrei ‘Jack’ Jakovlev & Oskar Voit

Maiken Urmet

A native of Tartu, Estonia, wants to expand the Estonian diet with foreign dishes. She has by now published her first cookbook „Teistmoodi kokaraamat” (A Different Kind of Cookbook) and is currently working on another.

since

nov 4 '09
2 contributions

Maiken Urmet

Martin Lazarev

since

oct 19 '09
3 contributions

Martin Lazarev

Tristan Priimägi

since

sep 14 '09
1 contribution

Tristan Priimägi

Michael Gallagher

an Estonian/American lawyer who came to Tartu in 1994 and has been living and working in Tartu since then.

since

sep 9 '09
3 contributions

Michael Gallagher

Marika Agu

on the way she'd pick up anything, from poker skills to photography

since

sep 9 '09
2 contributions

Marika Agu

Hanno Soans

Hanno Soans, born in 1974 is a freelance art critic based in Tallinn, Estonia.

since

aug 31 '09
1 contribution

Hanno Soans

Aleksander Kelpman

My name is Sander. I'm a suburb kid from Tallinn - Estonia, I'm 18 years old and find pleasure in arts.

since

aug 14 '09
1 contribution

Aleksander Kelpman

Jack

Hi I'm Jack. I like to make things, tables chairs, book cases. I'm going to be showing you how to make things too.

since

aug 13 '09
2 contributions

Jack

Maria Juur

is a writer based in Tallinn, Estonia. Her background is in art history but prefers Mutant Discos to museums and sees herself in the space between art and music culture.

since

jun 29 '09
2 contributions

Maria Juur

Gavin Watson

Today he works in fashion, photo realism and portrait photography and his work is on show at galleries all over the globe.

since

jun 17 '09
1 contribution

Gavin Watson

Michael Walsh

a graphic designer from Ireland, living in Tartu, Estonia since 1992. An underlying element in his work is a search for a reinterpretation of design classics in a contemporary way which respects aesthetic heritage and craft.

since

jun 17 '09
3 contributions

Michael Walsh

Olga Temnikova

a graduate of the Estonian Academy of Arts. Now working as a freelance graphic painter/designer/illustrator and gallerist in Tallinn.

since

jun 14 '09
2 contributions

Olga Temnikova

Harry Lurcher

Heard once that life is too serious to be taken seriously. Poet, promoter, director of creativity, frustrated artist and aspiring human being.

since

jun 14 '09
14 contributions

Harry Lurcher

In the movie Kate and Leopold, the dashing Duke of Albany (played by Hugh Jackman), a product of the late nineteenth century English aristocracy, gets quite a shock. He unexpectedly finds himself transported 100 years into the future to Manhattan, and once there, is invited to dinner at his neighbour's apartment. Kate McKay (played by Meg Ryan) is the neighbour. I suppose stranger things have happened, though for the moment I cannot think of any.

After suffering through a disastrous main course, and being told that there are no further courses on offer, the Duke offers this withering comment:

“Where I come from, the meal is the result of reflection and study. Menus are prepared in advance, and timed to perfection. It is said that without the culinary arts, the crudeness of reality would be unbearable.”

Kate's brother shoots back to the Duke

“We have a saying in the McKay house, ‘Shake and shake the ketchup bottle. None will come and then a lot'l.’ ”

The battle lines are thus drawn. On the one side are moderns who care only marginally about what they eat. A schnitzel that could pass as a door stop, slathered in ketchup is just fine as long as a few frozen vegetables are plopped on the plate as well. On the other side are traditionalists like the Duke, who find poor dining to be barbaric, and people who live with the affliction to be pitied.

We might ask ourselves where we stand in this debate. Are we with the Duke, dedicated to relieving the crudeness of reality by dining properly? Or like Kate McKay, are we too busy to care? Most likely, we would answer yes to both questions. After all, who wants to eat poorly? But modern life bears down hard on us, and we often simply don't have the time or the inspiration to eat as well as we could or should. Some of us (for God's sake) even think nothing of dining at MacDonald's! Heaven knows what the Duke would think of that.

But we might pause to think of other possibilities. For example, what if it were easy and fun to plan and execute recipes that are timed to perfection? What if we could do that as part of our daily routine while still working, and without busting our budgets? What if we could tread fearlessly into the mysterious kitchen in the early evening knowing that wondrous and satisfying creations would flow from our touch? What if we were connected with people from our neighbourhood and from around the world who produce beautiful and exotic foods and flavours? What if we were friends with the owners and chefs of our neighbourhood restaurants so that we could help them develop more fun places to get together? Now that would be something!

The funny thing is that we could live this way, and some of us already do. It just means being part of a community.

Introducing Slow food

Back in 1986 MacDonald's was about to open a new restaurant near the Spanish Steps in Rome. A group of locals didn't like it. They weren't thrilled about the idea of a MacDonald's at that location, but the problem was deeper than that. It seemed that people were losing touch with the pleasures of enjoying a slow, well prepared meal. Dinner was becoming something to do before or after something, but it was not necessarily an event in itself. Fast food was gaining status as something normal. The group wanted to do something about that. They wanted to start a trend that would re-introduce the idea that sharing food was a significant social event in itself --- especially if the food was delicious. And sharing food should be done slowly and gracefully. Instead of wolfing down fast food, the slower the dining was, the better. They formed an NGO called Arcigola to make their point. Some thought it was just Italian crankiness. But in 1989 Arcigola morphed into the Slow Food Movement. The slow food movement started to get publicity. Today, Slow Food is an international body that has over 100,000 members and chapters in 132 countries. Something has happened.

Sure something has happened! One doesn't need to go to the trouble of joining the Slow Food Movement to realize that these folks are onto something very big. Modern living does tend to push us into the fast lane and in the fast lane. We do have a problem slowing down to appreciate little things, like enjoying a slow cooked meal with family and friends. But isn't it true that the sum of those little things makes life work living? Wasn't the Duke of Albany right? Without pleasures like this, the crudeness of reality may become unbearable.

We come to the first major realization --- slow food is about finding and treasuring the good life.

Celebrity Chefs and the Rest of us

In the bad old days, the good life was something that only the rich and famous could aspire to. The good life might be found on great estates in the country that were maintained by small armies of craftsmen. The great chefs were a part of these armies and they tended to work in the great homes of aristocratic families. Quality and recipes timed to perfection suited a style of life where dressing for dinner was a daily event. Cooking was a highly specialized craft, done by those persons who toiled to make the good life possible. Oddly, in those days, no one would have thought that being a chef could offer the good life as well. Cooking was something that someone else did for you. What a pity for them!

This started to change in the last century. The 20th Century democratized the idea of the good life and a vibrant cafe society sprung up. To get a sense of how radical this was, you might watch the classic film Grand Hotel about the era just after the First Great War. In the film, the rich and famous congregate (of course) at the Grand Hotel. Among them is an impostor, played by Lionel Barrymore. Barrymore plays a middle class older gent who pretends to be rich, so that he might spend his last few nickels before he dies just to experience the good life. It was the classic idea. Average people were not supposed to indulge this way. It was scandalous that he would even try.

By the time Hemingway came around, standards were already changing. Among the smart set in his crowd, the good life was something that could be found by anyone who had the courage to try something out of the ordinary, and some knowledge of what was good. Many were cooking as well, like Alice B. Toklas who among other things, made some rather interesting brownies. But notice --- you still had to go looking for the good life. It was still an exclusive rather than inclusive sort of thing.

To see this more clearly, consider this description of the good life that Root found in Provence in France (from an article in France Today, by Frank Prial, July 27, 2009)

“Provence, wrote Waverly Root many years ago, is ‘the most magical of all the provinces of France.’ (In his book, Root proved) his point. His descriptions of Provençal specialties, like daube de boeuf, brandade de morue, Cavaillon melons, ratatouille, all things garlicky—including soupe à l'ail and the pungent aïoli mayonnaise—and all things à la Provençale, which basically means with tomatoes, are still delicious reading.”

Notice how you find these magical things somewhere else? And even if you go to the trouble to go there, you also need some knowledge of French to know what they are.

A.J. Liebling offered the same sort of vision of the good life when he wrote about Parisian restaurants of the 1920's in this classic book Between Meals (published in 1959). Liebling's good life in Parisian restaurants was out of reach not only because of distance and language. According to Liebling, by the 1950's it was already too late to find it. He notes sadly that after the 1920's Parisian restaurants started a long and slow decline. The best years were already behind us. How is that for exclusivity?

Well, even if Parisian restaurants are not what they were, we still nurture hopes to learn how to live the good life. And the idea that knowledge and expertise are critical to living the good life has been with us ever since. From Julia Child and Elizabeth David to the more modern great writers of cook books, we are taught that we have to do special and magical things in the kitchen. It is rather high risk type of warfare that might produce praise if we create something worth eating or scorn if we fail. We are rewarded for our effort only if we are clever enough and rich enough to pay for expensive ingredients. And this is the current state of affairs, with a flood of food blogs all claiming that they can teach you how to do something new --- if only you follow the recipe exactly and buy the right ingredients. The same is true for celebrity chefs who explain to us on television how to make this or that dish.

Don't get me wrong, this is all valuable information. At the same time, there is something missing here. When I buy a cookbook, I am buying a generic product. The writer might live in Paris or Rome or New York. But that writer knows nothing about me or where I am. He or she is not inviting me into a community of friends where we learn together. To the contrary, there is no community.

This idea, that the good life, including eating well is a matter of community has come to us much more recently.

The Problem of Control

One of the first things slow food advocates started to realize is how gigantic the food business actually is. Food products are made, bought and sold over a huge international network. This is nice in a way. In northern climates, we can get veggies and fruits from the south all year round. At the same time there is a down side. In this system we are just faceless consumers rather than participants. As consumers, we have to fight just to know where the food comes from in our food markets and what is in it. This loss of control has bothered foodies for several reasons.

First are matters of quality. The less I know about how foods are produced, the less I know whether the item I have in my hand is what it should be. No one is around in the store to tell us the difference between farmed salmon and wild salmon. No one explains why Parma ham is may be more expensive than local ham, or what is good about it. And on and on. The business of selling food is about making it look good in the shop ---- not necessarily about educating buyers about what they are buying. Some people thought it was time to assert more control over quality.

There is also a matter of ethics. BTW, if ethics doesn't interest you, no problem, skip on to the next paragraph. When we are cut off from all information about food production, we have no way to know how food is actually produced. As a result, food processing business can cut corners in numerous ways --- ways that may be unethical. They may not pay much care about how animals are raised and slaughtered. They may not share with us what types of pesticides are used in growing vegetables and fruits. They may wish to keep quiet what types of unhealthy preservative agents are used in prepared foods so that those products look better and can sit longer on the shelf. Over time (for example after the spread of mad cow disease) we have learned that the food industry has its own interests at heart, and ours only secondarily at best. This will only change if we assert more control over what we buy.

There is also the matter of pleasure. Even setting aside quality and ethics issues, it is not much fun to walk around a supermarket without knowing very much about the food you are buying. Who made it? Why did they make it that way? What is the best way to use it? It seems like a supermarket offers a huge selection of items. But in fact, we end up buying the same things over and over again for lack of knowledge and inspiration. We are not on an even level to know what is going on, and this is just not that much fun.

The Locavores

In response to the above concerns, a second movement sprouted up that is connected to the Slow Food Movement. It is called the Locavore Movement. Locavores are people who prefer, to the extent possible, to eat things that are produced locally. If you eat local, you have a better chance to break out of the consumer mould, and get to know more about the people who make the food that you eat and how they make it. You get to be part of a community. You are moving out of the exclusive good life model and into the inclusive model.

The locavore movement wants to re-establish the link between food buyers and farmers. By the way, this is good for both buyers and farmers. Farming is a high risk business. Farmers have to pay out a lot of money to get their crops in the ground. They have no control over the weather, or price fluctuations when harvest comes. If they can get buyers to pay a subscription for a share of the harvest, there is a more equitable sharing of risks, and we get more sustainable farms operating around us.

Buyers gain by knowing who is producing what they eat and how they do it. They also join a larger community, giving everyone a chance to share knowledge, skills, and fun.

Getting Healthy

So far we have brought up the idea of having more fun, and getting better quality foods. But we should not leave out how important it is for our health to eat well. Some people, like Alice Waters and Jamie Oliver (to name just two stars here) began complaining that schools are not teaching kids enough about what it means to eat well. As a result, children have no idea of the difference between fresh food and processed food. Why do we allow this? It is strange isn't it. But it is not that strange when we consider that a long time ago we gave up control over our diets to the food industry. Was that wise?

Care for a Change?

From the slow food movement to the locavore movement attitudes towards food are changing in Europe and in the US. There is a greater sense that eating well is a key part of living the good life, and that the good life is something we all can and should share. The Duke of Albany would have approved, and perhaps pleasantly surprised that the finer things of life were available to all. Perhaps even Kate McKay would be buying through a local food cooperative, partying with local chefs and getting rid of that frozen goop.

But what can we do here in Estonia? That is an interesting question. First, we would have to take into account that Estonian cuisine is changing. The Soviet diet is a distant memory, thank the Lord. There are more and more options. At the same time, most of the produce is sold through rather large firms. By and large, we are consumers here (rather than participants): And we do not always get the quality that we should at the food store and when we dine out. There are some things that could help us break out of our consumer role. Here are a few ideas that we can work on.

First, it would be really great to develop a local community that is dedicated to eating well. This community need not be political (some people in the slow movement are). But it should be dedicated to promoting and sharing great food and great food ideas.

Second, we need more information about and access to great food products. Sure, accessing an avalanche of recipes via the net great. But what good are they if we cannot get the ingredients? And even more important, we need to know who is producing great stuff here in Estonia.

Third, we need regular food events we can come together for fun and sharing ideas. We need to come together as a community in order to be one.

Fourth, we need a learning space where we can step by step take over new ideas about food. Not just about quality wine and scotch, and so on. But how to make great things for day-to-day cooking. And the learning has to connect to how we really live (not just Julia Child warmed over).

Fifth, we need a way to connect with chefs and owners of restaurants so that they understand the need to upgrade their products and services for us.

Using the Internet

We have a new tool at our disposal that can change everything. It is the internet. I am writing this at my home, expecting that you will read it on the net as part of the divedivedive platform. That means even though we may not have met, we are part of a virtual community already --- through the platform.

Here is a new idea. We could use this platform to build a ‘virtual food market’. Instead of having to rely on experts from who knows where to tell us what to buy and eat, we can chat here about great local producers and suppliers. We can find out who are local experts --- and get their ideas on the platform here. We can build a data base of great local foods. We can update information here about what we can buy, and what we are making. We can plan events. We can become experts within our group on any food related topic we want to dive into.

This sounds very cool. If you want to be a part of this, subscribe to divedivedive.org/. This will put you on a list where you will get notices of cool events, and more information about people and ideas. It's your membership card to the good life. Also, send an email to with the subject ‘great food’. I will then include you in the food community. You will get one email per week from the list --- and the opportunity (should you want to use it) to share your ideas and build content with us.

Enjoy!

About Slow Food:

Slow Food believes in recognizing the importance of the pleasure of food. We should learn to enjoy the vast range of flavours and recipes available, and recognize the variety of places and people involved in growing and producing the food we eat. We should also respect the natural rhythms of the seasons and conviviality, the enjoyment of dining and sharing that enjoyment with others. But the recipe developed by Carlo Petrini and other Slow Food members adds another ingredient to the pursuit of pleasure; namely, responsibility. This philosophy is called eco-gastronomy and combines a respect for and interest in agricultural biodiversity around the world.

www.slowfood.com

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Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses Slowing Down and Doing More than Just Sniffing the Roses

Kate & Leopold

From the movie “I Love You, Alice B. Toklas”

Alice b. Toklas

A. J. Liebling

The founders of the Locavores movement

Slow Food

Michael Gallagher

since

sep 9 '09
3 contributions

Michael Gallagher

Michael Gallagher is an Estonian/American lawyer who came to Tartu in 1994 and has been living and working in Tartu since then. From 1994 to 2007 he was primarily involved in developing professional legal education systems with the Estonian Law Centre, and interdisciplinary education within Tartu University. Since then he has been teaching, consulting, and developing projects in law and business.

To dive deeper:

If you want to keep up with him, visit his blog at laf.ee/wp/

published • December 23rd '09

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